This is the old standard Bluegrass Guitar ending. I break it down note by note string by string.
I have been playing Guitar since I was 10 years old and I have recovered from two traumatizing paralysis. I have taught and instructed many students to play the Guitar. If you have a desire to learn to play guitar my one word of advice is practice… practice and then practice some more.
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There are only 3 essential elements on how to learn to strum your way through guitar lessons.
First, purchase your own guitar. Borrowing can bring so much fuss considering the fact that you might destroy or ruin somebody else’s guitar. If the price isn’t reaching the money at hand, go for something cheaper. Better yet buy a surplus. You could save a lot from buying a second hand guitar. Aside from its low price, it also reduces the anxiety of being used up in a couple of days. Hours of practice can bring about so much exhaustion on the part of the guitar.
Another element would fall under choosing the right guitar to play with. This would be influenced by your own judgment. How do you see yourself playing? Are you the sensitive or the hard core type of personality? Although a lot of guitarists started their career by playing the acoustic. Aside from its wide-range availability, an acoustic guitar is more trigger friendly than that of the electric. Why? Because you can play it anytime, anywhere you want to.
Last. Have someone listen to you. Sure you can learn on your own and there are a variety of resources to help you start playing but having someone stand by you and comment on how good or sloppy you are is a must. Improves your ability to work on those mistakes. Make it a point that he knows how to play so that when you fingers go out of its proper strings, that person can correct you. Furthermore, he can teach you techniques that books and online tutorials can’t provide.
After you have all these elements packed together, you can now sit down and engage on strumming. How would you get it started and master without anybody’s assistance? Easy.
1. You have picked the right guitar. Upon handling your guitar, you must see to it that it is placed on a comfortable position. Basically, the sitting position would do. Rest the base of the guitar on your right thigh, your left fingers must support the other end of the strings and are responsible for tuning and for changing of notes. While the right hand fingers are used for strumming and plucking. This creates proper body mechanics. Remember to maintain good posture to avoid muscle straining.
2. Reach each step on your reference carefully. Follow its course. Memorize the ABCs. Each chord and note has its own fingering. Try to play slowly and focus on the easier basic patterns. Once you have mastered the basics, you can progress to the harder ones which contain frets and power chords.
3. Have a couple of songs to play with. For beginners, pick a song that only repeats four or five easy chord sequences. A typical example is the old standard Amazing Grace. In its simplest form it uses only the chords G, C and D. We actually take you on a musical journey of this song on Learn to Play the Guitar in 30 Days. We start out in the key of C, learning the chords C, F and G, then we modulate (change keys) to the key of G and use the chords G, C and D. Our final key is Ab (that is the key Amazing Grace is written in in most songbooks). We use a capo and play at the first fret and play in the key of G. The next several videos start adding new chords to give the song a little more character. We add chords like A, Am, B, E, Em, Dm and actually show you how to use these chords in other songs.
4. Sing while you’re playing. This helps a lot by setting the mood for inspiration and staying attuned with the proper melody. Singing along can also help you determine if you’re strumming the right chords or if you’re out of tune.
5. Be patient! Never give up on yourself. You have to be determined even though you’re on the verge of giving up. If you develop blisters, it’s a sign of good, dedicated practicing.
Be the master of these steps. Handling a guitar is not hard if you have the proper and positive attitude.
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One of the most frequently asked questions by beginning and even intermediate guitarist and musicians is how do you know when to change chords and how do you hear chord changes.
That is a very important subject not just for guitarist but for all musicians.
The best way to hear chord changes is to recognize chord progressions.
It helps to understand a little bit of chord theory and the Nashville Numbering System. Without going
into great detail or a full explanation of the Nashville Numbering System here is a general overview.
The Nashville Number System is a chord charting system that makes charting music and transposing keys easier and quicker. With this system, the scale degrees of the major diatonic scale, the do, re, me scale that every musician has heard of is represented by numbers.
This is a movable do system in the sense that whatever key you are starting in becomes the root or the do or in the case of the Nashville Numbering System the 1. The Nashville Numbering System or NNS as it is sometimes referred to uses numbers to represent the different letters in the scale. The major scale using the Nashville Number System would be 1-2-3-4-5-6-7-1.
The key that you are in will determine the position of the 1 thus dictating what the 2, 3, 4, 5, 6, and 7 are for that particular key.
Take for instance the scale or key of C which has no flats or sharps, the C scale is C-D-E-F-G-A-B-C. In the NNS we would simply change these letters to the numbers 1-2-3-4-5-6-7-1.
C is the first scale degree of the diatonic scale for the key of C. The first tone of the scale is also called the tonic because it is the tonal center or final resolution tone. The tonic tone is the pitch upon which all other pitches in a specified key are referenced.
So in the Nashville Numbering System our Tonic tone or the first note of any given key becomes the 1.
Looking at the key of C, the notes in order are C-D-E-F-G-A-B-C. Since C is the first tone in the C scale, the second tone would be D which is the 2, E the third tone is the 3, F the 4, G the 5, A the 6 and B the 7. In most cases the 1, 4, 5 and are major chords, the 2, 3 and 6 are minor chords and the 7 is a diminished chord.
Most songs utilize 3 main chords, the 1, the 4 and the 5. The 6 of the key is usually a minor chord and is also the relative minor. Every major key has a relative minor and it is always the 6 of the scale. For instance the key of G which has 1 sharp, F#, the G scale would be G-A-B-C-D-E-F#-G. The 6 or relative minor of the key of G would be Emin.
Now on to the subject of chord changes and chord progressions. A chord progression of 1 – 4 – 5 in the key of C is going to use the C chord which is our 1, the F chord which is our 4 (because it is the 4th tone of the scale C D E F) and G which is our 5.
Now listen to that progression or chord change from the 1 to the 4 in the key of C. Now listen to that same progression or chord change from the 1 to the 4 in the key of G. Hear that the interval is the same from 1 to 4 in both keys. You will find that a 1 – 4 progression will sound the same as far as the interval from 1 to 4 in every key.
Guitar players have an advantage over piano players we can use a little device called a capo, so if you learn the 7 chords in the key of C and the 7 chords in the key of G you can play any song in any given key.
The 2, 3 and the 6 chord you will need to know the minor chord so for D, A, E and B you need to learn the minor chords. E and A are the 3 and 6 respectively for the key of C and B and E are the 3 and 6 respectively for the key of G.
So how do you know when to change chords and how do you hear chord changes? You listen. Study those progressions, learn what a 1 to a 4 progression sounds like. The key is not important at first, just learn to identify those intervals from a 1 to a 4, 1 to a 5, 1 to a 2 passing to the 5 and so on.
If you will learn and study those intervals, those progressions then you can sit down and listen to a song that you have never heard before and chart that song using the Nashville Numbering System and turn around with very little practice and play that song like you’ve played it all your life.
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Singing comes naturally to some, but for others it’s a learned skill. Guitar-playing is another skill that takes time to develop. If you’d like to learn how to sing and play guitar at the same time, get ready to devote a lot of time to practice.
Singing and playing guitar, also called “strumming and singing”, looks easy when the pros do it. But if you’ve never tried it before, you might be daunted the first time you try to strum and sing.
It will take time, but you can learn how to sing and play guitar by following these simple rules:
Rule 1: Choose the Right Song
Watch video footage of singers who play the guitar while they sing. Chances are, they are performing songs specifically written to be sung and played at the same time. Even rock singers are probably strumming along to the rhythm while they play instead of trying to sing and play a complex melody.
Choose songs that lend themselves well to strumming and singing. If you just can’t figure out how to sing and play guitar on a particular song, you might need to make an easier selection until you’ve advanced your skills.
Rule 2: Memorize the Song
You’ll have an easier time learning how to sing and play if you have a natural sense of rhythm and timing. You’ll have a much easier time if you don’t need to think about the song’s lyrics while you play the guitar.
Practice singing the song several times a day until you can easily sing it from memory. Then keep singing it until the words flow on their own, without too much thought from you. At this point, you’ll have become so familiar with the song that you will be able to sing the words while you concentrate on playing the right chords on the guitar.
Rule 3: Take it Slow
When you’re first learning how to sing and play guitar, don’t try to master fast, difficult songs with lots of complex fingering and vocal acrobatics. Start off with a simpler tune that is easy to remember and fits your natural vocal range.
By starting slow and taking your time, you will learn proper techniques. If you rush things, you could pick up bad playing habits that keep you from realizing your full potential as an artist.
Rule 4: Master Your Basic Chords
By the time you learn how to sing and play at the same time, you should be so familiar with basic guitar chords that you can play them without a lot of concentration. Practice your chords and scales daily until you can play them largely from muscle memory.
Later, after you’ve mastered the basics, you can work your way up to more challenging riffs without sacrificing the quality of your strumming or your singing.
Rule 5: Give It Time
It takes a while to learn how to sing and play guitar simultaneously. How much time? Some experts estimate that it takes the average person six months or longer to be able to sing and play easy to moderately difficult songs. That’s with a half hour of practice each day.
Don’t get discouraged if it takes longer for your skill to develop. It might take a year or longer to get the hang of difficult songs. Practice makes all the difference, so make time for it every day.
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The guitar is among the most popular musical instruments around. Because of how versatile the guitar is, it is a popular instrument to learn how to play. The guitar can play any kind of music that suits you interest whether it is Gospel, country or jazz or any other style of music. You may be interested in playing your favorite songs or maybe you are a budding songwriter and you would like to write your own songs.
Either way, the guitar would be the perfect instrument to learn in these cases. Like all musical instruments, if you want to learn to play the guitar you will need plenty of practice, perseverance and patience. Learning to play the guitar will be very rewarding experience if you stick with it and the guitar can give you many hours of enjoyment.
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As soon as you read an article on a website or a blog from a Guitar Pro expert and you think you have a grasp of what is going on, another article will come out and contradict the first one that you read. Books are expensive and much of the content is full of fluff. They don’t contain the real nitty-gritty stuff that you need to be successful Guitar pro. The information key contained within this text may not make you the best Guitar Player in the world, but it will help you to learn to play like a pro!
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If you are a Guitar player the first thing you learned to do was tune your Guitar. Every Guitar player whether your choice is the Acoustic Guitar or the Electric Guitar, you know or at least you should know how to tune your Guitar. Starting with the lowest string (top string closest to you) to the highest string (bottom string farthest away from you) the standard tuning for a Guitar is E A D G B E. There are several ways of tuning a Guitar. You can just guess at the top or bottom E and tune the other strings to the E, this will at least have the Guitar in tune with itself. If you are going to play with other instruments it is absolutely imperative that your instrument be in tune with the other instruments. I have a good friend who was a successful Nashville studio session rhythm Guitar player who told me they had a saying in Nashville; “tune it or leave it on the bus!”
It is best to have an electronic tuner to aid in accurately tuning the Guitar, but if you do not have a tuner, you will need a reference point to start with. This can be done with a pitch pipe, or using another instrument that is in tune and tuned to standard A440 such as a piano. Again, it is imperative that your reference instrument is in tune or this will defeat the whole purpose. Once you have your reference tone established I recommend starting with the Low E on the Guitar.
Put your finger on the fifth fret of the sixth string and adjust the fifth string to this pitch. Once the sixth and fifth strings are in properly tuned put your finger on the fifth fret of the fifth string and adjust the fourth string to this pitch. To properly adjust the pitch of the third string put your finger on the fifth fret of the fourth string and match the third string to this tone. For the second string you have to alter the pattern of tuning to the fifth fret of the previous string, now you will put your finger at the fourth fret of the third string to match the second string. Finally, to tune the first string you will go back to the fifth fret of the previous string by putting your finger on the fifth fret of the second string and tuning to that pitch. This is standard E A D G B E tuning for the Guitar, but there are actually many other alternate tunings, a veritable plethora if you will, for the Guitar.
Alternate tunings for the Guitar fall into one of four categories; open tunings, instrumental tunings, regular tunings and special tunings. The open tunings are named for the chord that is sounded when you strum the open strings such as Open D or Open C tuning. The instrumental tunings are named from the tuning of the instrument that it emulates such as Banjo tunings, Mandolin or Dobro tunings. Regular tunings involve tuning all six strings to the same interval such as fourths of fifths. Special tunings are simply miscellaneous tunings that were created and made popular by specific singers or artist and are usually named for the song that utilized the tuning such as the Admiral or the Buzzard. The most popular special tuning used by most Guitar players is the Drop D tuning. It involves tuning the Bottom E down a full step to D. this gives the Guitar a full, rich bottom end sound. This can actually be accomplished with two capos, use one capo to cover all the strings except the E string then use another capo to cover the E string two frets below.
Experiment with alternate tunings, a simple Google search for alternate tunings for the Guitar will return plenty of tunings to keep you busy for years.
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The Seagull S6 Acoustic Guitar is comparable to the sound and quality of entry level Martins, Taylors and Takamine Guitars. The sound of the Seagull S6 is actually quiet impressive. When you first take the Seagull S6 in your hands you can tell right away that this is a quality made instrument reminiscent of hand crafted guitars. It makes no difference if you are a beginning guitarist or an experienced, seasoned professional you will be awed by the superior workmanship in this instrument.
The Seagull Acoustic Guitars are hand crafted Guitars made by Godin in La Patrie, Quebec Canada. They are specifically made to fit into the budget of the working musician.
Most every Guitar has some type of neck reinforcement. This neck reinforcement is to keep the Guitar neck straight due to the string tension. The Martin DRS1 Acoustic Electric Guitar has a non-adjustable square rod to keep the neck stable whereas the Seagull S6 Acoustic Guitar uses an adjustable double action truss system to regulate under-bowed as well as over-bowed correction.
The Top of the Seagull S6 is solid cedar and the sides and back are wild cherry with a semi-gloss lacquer finish. The saddle and bridge are made of rosewood. This produces a sound between the mellow mahogany tone and the bright tenor of maple. Given the mix or cherry wood and cedar wood, the sound production is warm, dark and full.
In comparison, the Martin DRS1 has a Solid Sapele Top, side and back. While Sapele wood is similar to Mahogany, some do consider it a downgraded cheaper wood. The tone that it will produce is very rich with depth and good quality.
As far as playability, this of course is going to vary from Guitar to Guitar even from the same maker. Every Seagull S6 Acoustic Guitar is not going to play exactly alike neither is every Martin DRS1. For that matter, all Martin D18s, D28s, D35s and D45s are going to play different in some degree.
Overall, the Seagull S6 is going to play just as well and in some cases even better than the Martin DRS1. With the DRS1 comes the prestige of owning a Martin Guitar; the prestige of the name. There are some Bluegrass enthusiasts that will insist that nothing is in the class of the Martin D45. This for the most part is true, but in that case you are really comparing apples with oranges. You are looking at a price of tag of over $2,000.00 versus a price tag under $400.00.
If money is no object and you can afford the price tag of a Martin D45 then by all means, without hesitation, go with the Martin D45. If, however, money is an issue as it is in today’s economy, you will be just as happy, maybe even more, with the Seagull S6 Acoustic Guitar over the Martin DRS1.
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All guitars are not created equal. There is a difference between steel-stringed Acoustic Guitars and nylon stringed Classical and Flamenco. There is also a difference between Classical Guitar and Flamenco Guitar even though both have nylon strings.
The major difference between the steel-stringed Acoustic Guitar and the nylon stringed Classical/Flamenco Guitar is the strings and the width of the neck. There are advantages and disadvantages to both Acoustic and Classical Guitars especially as it relates to beginners.
As far as the advantages or pros of the Acoustic Guitar, the neck is slightly narrower than the neck of the Classical Guitar so it is definitely easier to Chord an Acoustic, particularly for younger students or anyone with small hands. The advantages of the Classical Guitar is although the neck may be wider, the strings are much easier on the fingers.
The cons are exactly opposite because what is an advantage on one type of Guitar is a disadvantage on the other and vice versa. The steel strings on the Acoustic Guitar will be harder on the fingers at least until callouses are developed. There will be a minimal period of pain on the finger tips but if you will work through the minor pain there will be major rewards after the callouses form and the pain subsides.
The Acoustic and Classical Guitars also differ in relation to sound as do the Classical and Flamenco Guitars. The Classical Guitar is going to have a more mellow sound that will differ from the sound of popular music of today. The Acoustic Guitar is going to have a more familiar sound especially if you listen to Country or Bluegrass and even some Pop music and Rock and Roll makes use of the Acoustic Guitar.
Classical Guitars are more common that Flamenco Guitars in the nylon stringed category. During the Renaissance Era of music the Guitar was shunned and was associated more with taverns. It was also used more as accompaniment for a soloist or a small group. The Baroque and Romantic era would embrace the Guitar and would even have compositions specifically for the Guitar. Baroque composers such as Francesco Corbetta, Gaspar Sanz and Robert de Visee and Romantic era composers such as Tchaikovsky, Chopin and even Brahms and Beethoven composed music specifically for the Guitar and incorporated its use giving legitimacy to its recognition as a musical instrument.
Classical guitars typically have cedar or spruce tops and rosewood back and sides which tend to produce a combination of mellow tones, affected by the cedar, and slightly crisper high tones as well as power from the Spruce. The grain of the wood is also going to affect the sound as well. Stronger bass response will be produced by a wide grain top whereas a narrow grain top will generate stronger treble and subtle bass.
The Flamenco Guitar, which descended from the Classical Guitar, had its beginnings in Southern Spain. Flamenco music is a savoir-faire permutation of singing, dancing and guitar music influenced by Mediterranean and European music styles. The Flamenco style picking engages a much more forceful, aggressive right hand technique. The back and sides of Flamenco Guitars are not Spruce, but rather Sycamore which produces a brighter sound. The body as well, is slightly thinner than classical guitars. All of these combined elements give the Flamenco Guitar a brighter percussive tone.
Current Classical Guitarist include Yorgos Foudoulis, Jose Gonzalez, Pablo González Jazey and Xuefei Yang. Modern Flamenco artist include such names as Paco de Lucia, Tomatito, Vicente Amigo, Gerardo Nuñez, Juan Martín, Niño Josele. Of course the three greatest Acoustic Guitar pickers of modern times would have to be Doc Watson, Clarence White and Tony Rice.
There is as much difference in the Artist and their choice of Guitar as there is in the musical style of each. Explore all of these different types of Guitars and the styles of music that utilizes each. You will be amazed at the differences yet still see the similarities. The one thing that all of these Guitars share is tuning. There are of course many alternate tunings for Guitar, but that, is a another discussion entirely. We’ll save that for another time and another article.
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The Acoustic and Electric guitar is one of the most popular musical instruments in use today. Just about every kind of music that you listen to on the radio makes use of the guitar in many ways. Rock and Roll, Country and Western, Southern Gospel, Praise and Worship has all been influenced by the guitar.
Along with the drums and the piano, both the Electric Bass and Acoustic Guitars make up the modern music rhythm set. The versatility of the Acoustic Guitar has made it one popular instrument. A guitar can be played by a learning child or an experienced guitar player.
Most modern music of today features the Electric Guitar and most Rhythm sections of Country and Gospel music depend heavily on the Acoustic Guitar. The guitar has gotten a very good accompaniment in the form of the effects box. Electric Guitar can imitate the sound of a piano, violin, pedal steel guitar, harmonica and even the human voice by making use of a device called a Talkbox.
With the features and functions of the modern day electric guitar and its various effects, you just can’t help thinking about the beginnings of the instrument. Where did the guitar come from? This is a brief history of the wonderful musical instrument, which is the guitar.
The conception of the guitar can’t be traced to a single individual. The modern electric guitar came about through the development of its predecessor the Acoustic Guitar. Its representation has also experienced many modifications throughout the centuries. Today, playing the guitar is a symbol of talent and musical ability, but this was not so in earlier times; the guitar was actually a symbol of being poor and it was frowned on by most classical musicians.
There have been myriad musical instruments in the ancient times that were similar to the Guitar, dating back at least 5,000 years ago. Instruments which resemble the guitar were seen in ancient art and statues. However, the first documented mention of the instrument dates back to the 1300′s. The guitar’s predecessor had three pairs of two strings and a single high tone string.
Some guitar historians claim that the word “guitar” came from the Arabic word “qitara.” Qitara is an Arabic name for the diverse kinds of lutes used during the early times.
The modern Acoustic Guitar, at least as we know it, most likely originated in Spain. It is believed that the people of Malaga invented the instrument. The guitar evolved from having three pairs of strings to four pairs of strings and eventually six single strings that it now has.
The guitar gained popularity in the 16th century. It was played by the lower and middle classes as an equivalent to the vihuela played by the aristocrats. The vihuela was tuned similar to a lute but had a body similar to that of the guitar.
The guitar began to evolve during the 18th century: the double strings where replaced by single strings and a sixth string was added. In the 1800s, Antonio Torres de Jurado is credited with the birth of the modern Acoustic Classical Guitar. Essentially, he enlarged the size of the body of the guitar. The Acoustic Guitar still struggled for recognition during these times because it was regarded as an instrument for the taverns – an instrument which cannot be used for classical music. The Spaniards hated the piano and it was there, in Spain, that the guitar found refuge. However, it was also marred with the reputation that guitars are for undesirables.
The birth of the modern electric guitar was 1931. The electric guitar utilizes electronic “pick-ups” to be able to produce sound. The vibrations from the strings are converted into electrical signals by the pick-ups and transferred to the amplifier. The body of the electric guitar is either a hollow body or solid body. This is dependent upon the design.
With the birth of the Electric Guitar, the structure of the guitar took a great leap. The sound no longer depended upon the construction and structure of the body, but also on the quality of the pick-ups and soundboard.
There is much debate as to the inventor of the modern Electric Guitar, but three names are associated with the invention of the Electric Guitar. Adolph Rickenbacker invented the first modern amplifiable guitar; it was a semi-hollow bodied guitar with sound holes. In 1941 Les Paul invented the first solid body electric guitar. Later in the 1940′s Leo Fender invented his first electric guitar calling it the Broadcaster. It was later renamed the Telecaster which was later upgraded to the Stratocaster.
The sounds of the electric guitar can also be changed and modified to achieve a desired tone. The use of electric guitar effects has given the electric guitar a wide range of sounds. The electric guitar is continuously harvesting popularity in every field of music, even in classical music.
The guitar is a very vibrant musical instrument. Through the evolution of the Guitar it has made its mark on the modern music scene. From rudimentary instruments with many alternate variations, the guitar has become a desirable and much-sought after musical instrument. One great thing about the Guitar is once you learn to play, migrating from and Acoustic Guitar to an Electric Guitar or vice versa is no problem since they both play the same.
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For all of you that are interested in learning to play the guitar, I just wanted to do give you a quick review on a fantastic program called Jamorama. With Jamorama you can learn to play the Guitar in the comfort of your own home and save literally thousands of dollars in Guitar lessons. I have been playing Guitar for over 35 years. I took Guitar lessons for 6 years. Every week for 6 years my Mother took me for a 30 minute Guitar lesson. I wouldn’t take anything for that sacrifice. I am eternally indebted to my Mom for making that sacrifice and for my Guitar teacher as well. Mom invested over $3,000.00 for those lessons alone not to mention the time out of her schedule and the gas driving me back and forth. Imagine if my Guitar teacher would have drove to my house once a week and instead of $3,000.00 dollars simply charged a one time fee of less than $100.00? Wouldn’t that have been nice?
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